The Gibson Super Jumbo first appeared in 1937. Since Spruce was needed for the war-time effort, some J-45s in 1943 have a mahogany top. Western movies were tremendously popular and the singing cowboy heroes needed instruments as big and bold as untamed West. They could be strung with steel or nylon strings. White from 1928 to 1943/44. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. Cherry Sunburst is still available. identify the manufacturer of these banjos in many cases, but some identify Internally, changes from the J-35 included strengthening the top bracing by moving the X brace 1 additional inch behind the soundhole. Gibson discontinued the A-3 around 1922. The USA distributors in the 60s and 70s used their own serial number systems and we do . Jun 24, 2020 - The Art of Banjo Headstocks. FLC, Flamenco guitar with Canadian cypress back and sides, friction pegs (machine heads on some examples). 2005-2023 acousticmusic.org. These had black plastic laminate headstock overlays with Bacon engraved in blockletters and a small, metal plate engraved Bacon Folk Model. MK-99 models were handcrafted and signed by Richard Schneider. Edited by - mikehalloran on 12/27/2013 17:30:00, Charles in SC - Posted-12/27/2013: 20:38:42. Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. I am the third owner, the previous owner researched it and, based on the serial number, headstock design and inlays declares it to be a 1976 Gibson RB 250 MASTERTONE model with the 20 hole metal tone ring. The following versions evolved quickly to 14 frets clear of the body. Starting in 1977, Gibson adopted the current date-based serial system which codes for the year and day of production. Worthy of mention is the Jumbo Deluxe, though it is believed that only 3 were ever made in 1938. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. Thinner cog gears with no bevel on the edge of the cogs. Some SJNs with plastic Special Bridges. You'll find Epiphone serial numbers in the standard places. S3R3H, Like S3R, with 3-piece back, full herringbone binding, gold tuners. The tradition had been Bug style mandolins: bowl-backs with flat or bent tops. middle-sized, chrome tuners. The Larson bridge, if not otherwise specified by another company, is a rectangular flattened pyramid ebony style similar to those used by Lyon and Healy. 1916 into 1921: the pin to the bridge was dropped. Gibson needed to revitalize its lineup of flat-top guitars the LG-Series was born. Naming the parts of a banjo. Higher numbers also meant more money. The decade following saw a change in finish from varnish to shinier lacquer. The original partners were Fred and Cassie Bacon and Mr. and Mrs. Oliver Winship. 2: The Histories of Cool Guitars". The 1934 was single bound, front and back with dot markers on the rosewood fretboard and a horizontal script logo inlay on the headstock. Intermediate Grade and Best Grade were generally X braced with laminated braces for added strength. USA produced Epiphones of this era bear standard Gibson serialization and include the "Made in USA" stamp on the back of the headstock. Occasionally the labels have fallen out or been removed during repairs making it a bit trickier to date the instruments. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). This information is approximate and has not been verified by the LoPrinzi family. That way I'll be sure to hear it, since I will get a heads up when you post. They had dot markers on the fretboard and a moustache bridge with individual adjusters on each string. It became apparent early that the new design concept was good: they were, in fact, louder and more cutting in tone. Most have the patented L&H tailpiece shown in the inset. Most old Hfners do not have serial numbers. Instrumental. During 1880-1890 Fairbanks joined with William A. Cole, a successful performer and teacher, and produced approximately 9000 banjos as Fairbanks & Cole. It was intended to be more affordable and more readily available than its main competition: the Martin D-18. 1923 into 1970: 1 piece mahogany necks. The soundboard was so large and the body so deep that the sound was immense. Each type of banjo head has a unique contribution to your banjo's tone. string peg perch is typically carved out from the side of the neck as shown The Kalamazoo plant kept going for a few years as a custom-instrument shop, including the Mark Series instruments, and was ultimately closed in 1984. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. The exceptions were in 1979/1980 when the very fine Flying VII and active Les Paul Artist models were available; both were between $50 and $100 more, and were deleted almost as quickly as they dbuted. Pearl twin parallelogram inlays, Bridges: Rosewood belly-down. Several other forces were at work for change: Introduced 1963, these were designed as dual-purpose instruments. Late 1974 gold covered recording pickups are replaced with humbuckers. The bridge was a small rectangular block type with a through saddle. The Lyon & Healy peghead shape used on most of Some FONs for 1942 include 7116-7119, 7434, 7705, 7721, 907, 910, 923, 928, 2004-2006, 2059, 2098, 2110, 2119. There were 5226 made. By the end in 1985-86, Gibson was basically down to the Les Paul model alone. The pickguard was longer than earlier models and it had a moustache bridge (though slightly smaller and less ornate than that used on the SJ-200). The electric version included a P-90 pickup at the end of the soundboard like the later versions of the J-160E. The sides and back were tinted mahogany with a sunburst red spruce top. Headstocks of US models also use the Gibson headstock shape. Kluson tuners no longer had circle stamp (exposed gears riveted instead of screwed in place) and shaft size of 7/32 to save wartime metal. The model started production in 1938 as Gibsons top-of-the-line flat top guitar. Skip to main content. $80 in depression era dollars was beyond the means of most people of the time but 300+/- were built during its 3 year production run. This is a high-quality instrument. The Gibson Southerner Jumbo was introduced in 1942 and discontinued in 1978. The headstock shape is very similar and it has the hexnut . The following numbers are the earliest known serial number for the year listed. The examples weve seen vary from the Gibson catalogs quite a bit. There were 1424 made. Edited by - rfvelk on 12/26/2013 17:31:36, Blake507 - Posted-12/26/2013: 22:24:21. The name evolved from De Luxe Jumbo to Super Jumbo in 1939, and then to the Super Jumbo 200 (reflecting the price at the time, the case would be $28 extra). Another useful During the Folk Boom of the 1960s, Gretsch produced a line of 5 string open back banjos with regular and long necks. Steel Guitar. See more ideas about banjo, guitar inlay, ukulele. Hard-stamped serial numbers. 3 hrs, 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo' 3 hrs, 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head' 4 hrs, '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck' 4 hrs, I see no collectors market for banjos like yours.<, We use cookies to ensure that we give you the best experience on our website. For example, the serial number 90237XXX corresponds to a production date of 1/23/97. Identify vintage banjo fleur de lis inlays on headstock & carved heel . A2-Zs were theoretically made during the Loar period of 1921-25, but only between 1923 and 1924. Ebony Fretboards were generally thicker than other builders. This technique of supplying interchangeable saddles/bridges was not new, it had been used by Selmer in France for their Maccaferri style instruments since the 1930s. In 1941 the fretboard became Brazilian rosewood. Gibson hoped to score the same type of success that had occurred with Lloyd Loar in the 1920s: redefining the acoustic guitar for generations to come. A maple, prewar style bluegrass banjo made like the classic banjos of the 1930's with the same materials and the same weight, design and features, the Golden Era is one of our most popular banjos for traditional bluegrass bands. S2R3H, identical to S2R, but with 3-piece back, full herringbone purflings, gold tuners. Even the group of inexperienced entreprenuers could see and understand the value of the Gibson name. LoPrinzi Rosemont, New Jersey built by Augustino LoPrinzi (and apprentices) with Augustino on the headstocks. If the serial number is legible the instrument can be relatively easy to date. I chose a .090 binding that is layered, for a nice pin-striped look and Stewart MacDonald Guitar Shop Supply makes the perfect set of bits for routing headstock for binding called Piloted Binding Router Bits. The 1975 price was $659. This should be considered a guide to get you within a year of the correct date. This peghead is found on low end, turn of the century, Lyon & Healy banjos, often with the L&H or Mystic brand stamped into the strut. 1940: #1 or #001 to 1965: approximately #84xxx. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. The new design was thinner and much easier to handle and play. The L-series is very difficult to properly identify and date as they were inconsistent in their appointments and the catalog descriptions do not always agree with the actual instruments produced. ss stewart presentation banjo - Google Search. This was available in brown, black or blonde finish. If the fretboard was bound, they generally added a stripe of black under the side binding. A New Leaf from Steven Moore. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. It worked. and many were left unmarked. George Youngblood of Youngbloods Music Workshop. It's difficult to positively identify the manufacturer of these . The current bridge height and neck angle was reached around 1910. ECL changed its name shortly afterwards to: Norlin Inc. for ECL president Norton Stevens and CMI president Maurice Berlin. It was built for Hollywood singing star Ray Whitley as the worlds biggest and fanciest acoustic guitar. mikehalloran - Posted-12/27/2013: 17:21:06. Frets refers to the number of frets that are clear of the body. The Maurer Company records have been lost. The more economical Student Grade instruments were often ladder braced. Also, the first batch of J-45s had more binding both on the body and soundhole. Acoustic guitars are punched inside the soundhole on a sticker behind the strings. A total of 2,477 J-35s were made according to Gibson records. Materials and methods of production were reviewed and revised. The numbers are preceded by letters: A, B, C, or D which indicate the series. Hand Engraving. If you want to use any of this information: In some cases there are no pickguards. In any event, these should be used only as a guide and not assumed to be absolutely correct. Numerous articles in Vintage Guitar Magazine over the years. Similar to A, but with double purfling on the soundhole. Many banjo manufacturers, in addition to making banjos under their own names, made unmarked banjos for others to sell as well. David L. Day was in his 70s. By the records, between 200 and 300 were built. 585 Grand Concert: rosewood back & sides, MOP, colored wood appointments and a Tree-of-Life fretboard inlay. Ironically, the script logo on the headstock was old-style. This is a high-quality instrument. 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. To accommodate the pickup, the standard production neck was pushed up to a neck-body joint at the 15th fret. They were popular with the Cowboy Singing Stars like Bob Baker (National Barn Dance WLS). The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). Not many were sold and the production run was therefore limited to 2 years. better-grade offerings frequently had notched, rather than grooved stretcher It is most common after 1923 when most Gibson model As had this shape. An entire bin was a "lot" and would contain There were some 1 3/4 nuts available. Like the SJ-100 of the same year, the J-55 had a stair-step headstock that persisted for only 2 years. In some cases, teachers would purchase these instruments and put their own names on them, but in many other cases they carry no identifying name at all. ARIA 921C. This is a headstock that tapers from narrow at the top to slightly wider at the base (the reverse of the traditional Gibson headstock shape). The guitar designs, however, were not the problem. The neck holds the strings secure using tuners, four of which are located at the peghead, with the fifth string tuning peg located almost halfway up the neck. This was quickly reduced to avoid model confusion between the J-45s and the more expensive Southerner Jumbos. There is a steel tone ring on the maple rim, and the rim has a maple cap. MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. In general, the Larsons used fancier hardware on the more expensive instruments so the date of the hardware should coincide with similar instruments of the period. Sometimes a higher model number means a bigger and fancier instrument but there does not appear to be a thoughtful of consistent method for ascribing model numbers. side of the top of the peghead (see last set of pictures below). Electric guitars having the serial number on the back of the headstock. MK-81 models were rosewood back & sides, ebony fingerboard with figured abalone block inlays & gold plated hardware. target no need to return item. I own the book and have found it to be an invaluable resource in identifying these old guitars. CLR, Classic guitar with Indian rosewood back and sides, decorated binding, gold tuners. He lived in Illinois all his life. Heads have different effects on different kinds of banjos. Banjos with pegheads like that shown in the first picture below are usually made by Buckbee. English mandolin banjo, by cuckoo, circa 1900s, of typical form, 'Cuckoo' imprinted on the headstock, 55 cm long American Orpheum mandolin banjo , by Rettberg & Lange, no. department to department had 40 cubbyholes. It had binding on front, back, soundhole and the fretboard; The Gibson inlaid into the headstock and a better grade of spruce top. It appears to be all original except for the bridge, which appears to be a banjo bridge crudely slotted for 8 strings, and the head, which is probably plastic. The headstock face was veneered in black. Most Headstocks say LoPrinzi. The 31 year old part time musician has mostly been found on the contest stages in recent years, taking first in the National Bluegrass Banjo Championship twice, and in the RockyGrass, RenoFest . F Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. 1952: The headstock gold decal logo was replaced by an inlayed pearl script and crown. The labels with an image of Orville Gibson are generally found on instruments with serial numbers below 10,000. There are some examples of two piece bodies used with the transparent or natural finishes. The concept behind the J-45 was a high quality, affordable, big-sounding acoustic flat-top guitar. Factory numbers (when the exist) appear in pencil inside on the block where the neck meets the body. Factory Order Numbers (FON) include the 2100s to 2500s, The adjustable truss rod reappeared in 1944, Tuners cogs got slightly thicker and with beveled edges. By 1936, with the depression still gripping the nation, Gibson moved to stay competitive and offer a more affordable option: The Advanced Jumbo (Advanced meaning that the size advanced: got bigger) with rosewood and fancier appointments that would compete with the Martin D-28 at $80 and the Jumbo 35 at $35 to compete with the Martin D-18. Presentation banjos often turned up at NAMMand other shows. MIDWEST BANJO CAMPJune 1-4, 2023New Manchester, IN, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023' 2 hrs, 'Pisgah Banjo Company banjo raffle extended to March 10' 2 hrs, 'Lost Indian: Samuel Bayard collection ' 3 hrs, 'Lost Indian: Samuel Bayard collection' 3 hrs, 'Flinthill FHB-300 - Killer bluegrass banjo for the money!' 562 Standard size with rosewood back & sides, MOP and colored wood appointments. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. For a period of time, this was the top of the line. The original price in 1942 was $45. This is the smallest model, chrome tuners. Timing is everything In 1969 the Gibson parent company: Chicago Musical Instruments (CMI) was acquired by the South American brewing conglomerate: E.C.L. The bridge were early simple rectangular with through-saddles. Manchester University, All Forums The fingerboard typically has inlays made of silver or steel. The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. Gretsch used a new serial format showing: Month/Year/Production Number (3-4 digits), stamped as follows: Its not clear whether the 3-4 digit production number is the total production for the month or for the year. Factory Order Numbers (FON) in the 2800s to 2900s and 300s to 500s and some in the 600-800s and 1000s range. They were mahogany back & sides with single layer binding front and back. Late 1930s through 1942: ? adjustment wheels 2 feet and extensions on top of the base for the wheels. The top and back bindings were black plastic with red line highlights. Only about a dozen were made. Gretsch appears to have started a new numbering system at about that time. It marked the beginning of a new era for Gibson. A-series Factory location: New York City from start to 1971. Knob changes usually following other Gibson electrics. Sunburst finish changes slightly: a cremona brown fading from the center amber to a reddish brown perimeter. Why not post a little tune with it. The L-5S was the first high end jazz solid body guitar. Late 1960's Gibson Logo around 1969 with no dot over the "i". The first group in late 1936 had larger soundholes and long scales: 25 1/2. thurgood marshall school of law apparel Projetos; bubble buster 2048 town Blog; cell defense the plasma membrane answer key step 13 Quem somos; how to make a good elder scrolls: legends deck Contato; hillsdale college football. 30, 1909. To confuse matters, they also manufactured Bacon banjos that had been developed by Fred Bacon: the Professional, the Orchestra and the Blue Ribbon. 593 Similar to 590 but with pearl (vs ivoroid) tuner buttons. Ss. JR, jumbo size guitar with East Indian rosewood back & sides, chrome tuners. Nice playability, great tone, strong low end and good sustain all the way up the neck. You have your choice of 3 different peghead shapes. The promotional material in the Gibson catalog of 1934 said: This greater body size produces a heavy, booming tone so popular with many players who do vocal and small combination accompaniment for both personal and radio appearances. For example: The custom series of Epiphone Texans built with cooperation from Paul McCartney: some were built in Bozeman Montana and some in Japan. Body designations and style designations of Martin guitars are letter-number combinations separated by a hyphen. Size 3 Gurian, either acoustic or amplified. They were well suited for orchestral arrangements as well as individual play and accompaniment. Find the worth of your vintage banjo from 1920s to 1970s. At the time, the Nick Lucas model was the largest flat-top Gibson offered. Research our price guide with auction results on 40 items from $35 to $2,928. 1930s-40s R S Williams and Sons built "Stewart" 1940s R S Williams and Sons built bird's eye maple archtop 1940s R S Williams and Sons built bird's eye maple archtop headstock 1940s R S Williams and Sons built bird's eye maple archtop back Gibson. The financial strain became too much and the company sold in 1940 to Gretsch. Silkscreen logos - Low end models. See more ideas about banjo, guitar inlay, mandolin. Banjo Headstock Designs. Weekly newsletter includes free lessons, favorite member content, banjo news and more. Other singing cowboys who later owned Super Jumbos include Roy Rogers and Gene Autry. The following are a rough guide. their better banjos is also distinctive, with a small additional bump on either The final production versions had a double-braced red spruce top and rosewood back and sides with a sunburst finish. AMF ceased production of LoPrinzi guitars. Please see the, Epiphone: Current Serial Number Information, Gibson J-35 & Advanced Jumbo Flat-top Acoustic Guitars, Gibson Jumbo Deluxe and J-55 Flat-top Acoustic Guitars, Gibson J-45 and J-50 Flat-top Acoustic Guitars, Gibson Southern Jumbos and Country Westerns, Gibson J-160E Flat-top Acoustic-Electrics, Gibson CF-100 Flat-top Acoustic-Electrics, Gibson MK Series Flat-top Acoustic Guitars, Gibson L-5S Solid Body Electric Guitars, Guitars & Stringed Instruments General Information, Care & Feeding of a Wooden Musical Instrument, Identifying Vintage Guitars, Banjos & Mandolins, 41530 Transition from 12 to 14 fret necks, 1 Banjos from various contracted builders, 2028 Earliest reference to Forrest Dale VT, 30620 Symphonie, Sultana, and Senorita introduced, 35341 Gretsch purchases Fred Bacon Banjo Company. Wyatt Fawley's banjo, model for the "Retrotone" banjo design : 1949 : 3399-86 -100 : 1-piece: Dots : I/N Auction 2/2007 with flathead ring from 1963 RB180 and 1959 RB100 neck : 1949 : 3399-90: RB-150: . banjos, not surprising since they bought out the Buckbee factory in 1898. To complicate matters, the Larson brothers appear to have used different numbering techniques for different brands that they supplied. To most people all banjos look (and sound) the same. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson A Style mandolins. which do not feature a paper label. It took Gibson 2 years to develop their response: The Jumbo of 1934. LoPrinzi Guitars Plainsboro, New Jersey AMF years (serial numbers: high 3,000 4,000s) Tom LoPrinzi was still with the company. The hurricane of September 1938 destroyed the companys ability to manufacture anything. Alternates can range from standard designs out there in the banjo world, old or new, or a custom. The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. Body shape changed to square shoulder dreadnought. Where no serial numbers are shown they simply are not known. 541 Concert: rosewood back & sides with colored wood appointments. They were the J-45 and the Southerner Jumbo. It was available in red, black or two-tone sunburst finish, fleur-de-lis under The Gibson; Handel inlaid tuner buttons prior to 1916 (WWI) with a dotted + in each button. I would sure like to hear what it sounds like. tailpieces (see fourth row of pictures below) on many of their unmarked banjos, and their I'm thinking it was made by the Iida folks for a NAMM show or something. CLB, Classic guitar of Brazilian rosewood, gold tuners. Please read the section on J-35s and J-55s as the J-45s and Southerner Jumbos replaced the earlier models it was a natural evolution. JR3H, like JR, but with 3-piece back, herringbone binding & gold tuners. Kay company banjos were normally not that high-quality but this one is different. They generally had birch or walnut back and sides sometimes flat and later (1904+/-) carved. teachers who sold them to students, some of which are tagged with the name of Some rectangular examples, Headstock appointments: Decal Only a Gibson is Good Enough banner. The exceptions are those guitars sold by Selmer in the UK which will (probably) have a number stamped into the back of the headstock and guitars sold by Van Wouw in the Netherlands. The headstock had a black wood face veneer. Headstocks say LoPrinzi. I visited his place once when I was kid (probably mid - late 1970's) and his finished basement was filled with guitars, banjos, lots of different instruments. Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option. Gibson Banjo Serial Number Factory Order Number Information; Pre-war banjos, Flathead, Mastertone. S3R, Size 3 guitar with East Indian rosewood back & sides, chrome tuners. The Jumbos had a slight V shaped neck with the Gibson truss rod and a pointed French heal somewhat unusual for Gibson. purchase these instruments and put their own names on them, but in many other The intent is to provide a rough dating guide. For more detailed information, get the following book: The Larsons Creations Guitars & Mandolins by Robert Carl Hartman. This moved the X away from the soundhole a bit. Gibson. They are essentially an Advanced Jumbo with minor compromises: they filled a gap between the J-35 and the J-55. Free or royalty-free photos and images. Higher grade models (such as the Super 400, L-5, J-200, etc.) They didnt sell well but did live up to their design intent of a. heavier, booming tone with good overall balance. Some rectangular examples, black bridge pins (2 pearl dots on rectangle bridge), Headstock appointments: gold decal: Only a Gibson is Good Enough banner. serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. The necks and heels were rounder. In 1923 it appears that Gibson began to assemble A-2s with left-over blonde tops from A-3s.

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